Wednesday, 21 May 2014
EXP3 - Mash Up
"Touch the Earth Lightly"
- Glenn Murcutt
One of inhabitant’s recurring themes is the virtue of a sustainable world.
To satisfy society’s needs without diminishing the prospects of future
generations”. When we
think of greenhouse gas emissions, some of us might envision a tailpipe spewing
exhaust but 40% of the carbon dioxide that contributes to climate change
actually comes from buildings. One of the problems is that we’re using a lot of materials, gluing
them all together. How the hell are we going to recycle these things?
- Glenn Murcutt
Architects play a significant role in reconciling current and
future human needs with a sustainable future. To do that you actually
need to engage, in a lot of different areas; visioning,
identifying and inventing the future of design and construction, from new
processes of digital design to off-site construction methods through to novel
fabrication tools and strategies. Their aims and
objectives and their designs have always reflected changes in public opinion,
taste, developments in technology together with the need to provide
accommodation for a wide variety of occupants and functions in buildings. These days, some of the most elegant
and innovative interiors emerge from a creative use of compact quarters.
One of the defining characteristics of sustainability was its attempt to
simplify and separate systems, so you have a compact space. In shifting towards a more
sustainable lifestyle, consolidating your space is a pretty easy way in achieving ‘satisfaction
and aesthetic pleasure’. A
smaller home takes less material to build, and requires fewer resources to
maintain indoor comfort translates into a material pallet where you have a one-to-one
relationship between the material. Modernism’s moralistic relationship
to “honesty of materials” is a vestige of this, surviving as a kind of
dogma.
SOURCES:
Friday, 9 May 2014
Tuesday, 6 May 2014
EXP2 - Final Submission
Immediately upon scaling the mountain, a vectoring stair case welcomes the students into the monumental site.
This texture was intended to suggest a timber material which is ideal for the circulating bridges as they are not supported by any pillars thus must utilize light weight materials.
When stretched horizontally, this texture evokes a sense of elegance from its abstract form. I have implemented it primarily on the interior walls as to promote intimate observation from visitors.
The texture is composed of a series of alternating vertical and horizontal lines. Such a clean and simplistic pattern is ideal for floor tiles. This texture marks the monumental territory within the island by enforcing a clear distinction to its surroundings.
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